Making the work
Growing an audience
Running the business
Final Cut Pro runs on Mac and iPad only, tuned hard for Apple silicon, sold either as Apple Creator Studio at $12.99 a month or outright at $299.99. Kdenlive is free and open source from the KDE community, with proxy editing, keyframes and a configurable interface, running on Windows, macOS and Linux, which covers the platform Final Cut Pro cannot touch at all. Final Cut Pro renders fast on Apple hardware and comes with a company behind it. Kdenlive costs nothing anywhere it runs, and the support behind it is a forum and a bug tracker rather than a ticket.
Apple's editor, bought once or monthly
Free multi-track editing from the KDE project
Final Cut Pro | Kdenlive | |
|---|---|---|
| Starting price | From $12.99 | Free |
| Pricing model (they differ) | Free trial, then paid | Free |
| Free tier (they differ) | No | Yes |
| Billing | Monthly or annual | Not stated |
| Free trial | 30 days | Not stated |
| API | Not stated |
Apple's editor, bought once or monthly
Final Cut Pro cuts video on Mac and iPad with the magnetic timeline that people either move to it for or bounce off, and it is tuned hard for Apple silicon, which is why it renders quickly on machines that struggle elsewhere. Apple now sells it two ways: inside a subscription bundle alongside Motion, Compressor and Logic Pro, or as the one-time purchase it has always been. The subscription is where new premium content lands. Nothing here runs on Windows, and no project opens anywhere else.
Our note
Buy it outright if you only want the editor, because $299.99 pays for itself against $129 a year inside three years and the app keeps updating. Take the subscription if Motion and Logic Pro are things you would otherwise buy separately, since that is where the bundle stops being a worse deal and starts being a better one.
Free multi-track editing from the KDE project
Kdenlive is a multi-track video editor maintained by the KDE community, with proxy editing, keyframes and a configurable interface, and it is free in the sense that matters: no account, no watermark, no export ceiling. It reads and writes whatever FFmpeg handles, which is most of what a camera or a screen recorder produces. Windows, macOS and Linux builds come from the project itself. Support is a forum and a bug tracker rather than somebody answering a ticket, which is the real difference from a paid editor.
Pick Final Cut Pro on a Mac where render speed on Apple silicon shows up in the working day, and the magnetic timeline that closes its own gaps is worth adapting to. Buy it outright at $299.99, which pays for itself against the $129-a-year subscription inside three years and keeps updating. Nobody on Windows can use it, and no project opens anywhere else, which rules it out for a mixed-OS team entirely.
Pick Kdenlive for multi-track editing at zero cost, especially on Linux or Windows, where Final Cut Pro is not an option at all. Proxy editing makes heavy footage workable on ordinary hardware, and nothing is held back for a paid version because there is no paid version. Anybody who wants a support contract, or a specific codec certified for delivery, is better served by a paid editor; here the answer to a problem is a forum thread.
Ratings are the average of reviews readers left. The facts are stated by each tool’s own listing and are not verified by CloutStack. How we make money.
| Not stated |
| Data export | Not stated | Everything, in an open format |
|---|
| Their cut | None | None |
|---|
| Runs on (they differ) | macOS, iOS | macOS, Windows, Linux |
|---|
| Covers | Video Editing | Video Editing |
|---|
| Works with | Nothing in particular | Nothing in particular |
|---|
| Founded | Not listed | Not listed |
|---|
| Reader rating | No reviews yet | No reviews yet |
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| Live deals | None right now | None right now |
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Shaded rows are where the two answers disagree and both listings have answered. A row where one side has not stated a fact is left plain, because silence is not a difference.
Our note
Compare this against Shotcut and OpenShot rather than against paid editors, since all three are free and the difference is which interface you can stand. DaVinci Resolve is the better free choice if colour work matters, and the worse one if your machine is modest.