Making the work
Growing an audience
Running the business
Both cover video editing. Here is what separates them on price, billing, what you can take with you, and coverage.
Apple's editor, bought once or monthly
A film editor with a free tier and no time limit
Final Cut Pro | Lightworks | |
|---|---|---|
| Starting price (they differ) | From $12.99 | From $13.99 |
| Pricing model (they differ) | Free trial, then paid | Free plan, paid tiers |
| Free tier (they differ) | No | Yes |
| Billing | Monthly or annual | Monthly or annual |
| Free trial | 30 days | Not stated |
| API | Not stated | Not stated |
Shaded rows are where the two answers disagree and both listings have answered. A row where one side has not stated a fact is left plain, because silence is not a difference.
Apple's editor, bought once or monthly
Final Cut Pro cuts video on Mac and iPad with the magnetic timeline that people either move to it for or bounce off, and it is tuned hard for Apple silicon, which is why it renders quickly on machines that struggle elsewhere. Apple now sells it two ways: inside a subscription bundle alongside Motion, Compressor and Logic Pro, or as the one-time purchase it has always been. The subscription is where new premium content lands. Nothing here runs on Windows, and no project opens anywhere else.
Our note
Buy it outright if you only want the editor, because $299.99 pays for itself against $129 a year inside three years and the app keeps updating. Take the subscription if Motion and Logic Pro are things you would otherwise buy separately, since that is where the bundle stops being a worse deal and starts being a better one.
A film editor with a free tier and no time limit
Lightworks has been cutting feature films since long before the web, and the free tier is the whole editor at a capped export resolution with no trial clock on it. Paying raises the export ceiling and opens the formats a delivery spec actually asks for. Three ways to pay sit on the same page, including a single payment for anybody who does not want another monthly line. The interface comes from broadcast rather than from the web, so the first afternoon is spent learning it.
Ratings are the average of reviews readers left. The facts are stated by each tool’s own listing and are not verified by CloutStack. How we make money.
| Data export |
|---|
| Not stated |
| Not stated |
| Their cut | None | None |
|---|
| Runs on (they differ) | macOS, iOS | macOS, Windows, Linux |
|---|
| Covers | Video Editing | Video Editing |
|---|
| Works with | Nothing in particular | Nothing in particular |
|---|
| Founded | Not listed | Not listed |
|---|
| Reader rating | No reviews yet | No reviews yet |
|---|
| Live deals | None right now | None right now |
|---|
Our note
Take the free tier seriously here, because it is the whole editor rather than a crippled demo and the export ceiling is the only real limit. If the interface does not click within a week it never will, and DaVinci Resolve gives away more for the same money.