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Capture One develops RAW files with colour edited by range and tethers straight to a camera, from $18 a month or $349 once for a perpetual licence, built specifically for a professional photography workflow. GIMP is free forever under the GPL and covers retouching, compositing, painting and format conversion in one download, with print-grade colour management, but no tethering or RAW-specific workflow described. Capture One costs money and speaks fluent RAW file and camera. GIMP costs nothing and speaks general image editing, learned from scratch either way.
RAW editing and tethering for professionals
A free image editor for retouching and paint
Capture One | GIMP | |
|---|---|---|
| Starting price | From $18 | Free |
| Pricing model (they differ) | Paid subscription | Free |
| Free tier (they differ) | No | Yes |
| Billing | Monthly or annual | Not stated |
| Free trial | Not stated | Not stated |
| API | Not stated | Not stated |
RAW editing and tethering for professionals
Capture One is what photographers move to when Lightroom's colour handling and tethered shooting stop being good enough. The colour editor works on ranges you define rather than on fixed sliders, and tethering to a camera is the feature its users will not give up. It is a professional tool with a professional learning curve, and it still sells a licence you buy once.
Our note
The perpetual licence is the reason to look here rather than at the subscription-only alternatives, and it is worth doing the arithmetic: $349 is about nineteen months of Pro. Buy the subscription if you want the newest camera support the week it ships, and the licence if you do not.
A free image editor for retouching and paint
GIMP has been the free answer to a paid image editor since the nineties, covering retouching, compositing, painting and format conversion, with scripting for the jobs you do a hundred times. Its colour management is strong enough for print work. The interface is its own rather than a copy of anyone else's, which is the real cost of switching to it.
Pick Capture One if tethered shooting or RAW colour graded by range is the actual job, the kind of work a client sees happen live on a laptop. Pro is $18 a month, or $349 once for a perpetual licence, about nineteen months of the subscription. It has a professional learning curve of its own, so budget the time as well as the money.
Pick GIMP if the job is retouching, compositing or painting rather than a RAW development workflow, and the budget is zero. Every feature is in the one free download, colour management is strong enough for print, and scripting handles repeated jobs. The interface is its own rather than a copy of Photoshop's, so anybody with Photoshop muscle memory should expect to relearn rather than transfer it.
Ratings are the average of reviews readers left. The facts are stated by each tool’s own listing and are not verified by CloutStack. How we make money.
| Data export |
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| Not stated |
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| Their cut | None | None |
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| Runs on (they differ) | macOS, Windows, iOS | macOS, Windows, Linux |
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| Covers | Photo Editing, Design & Graphics | Photo Editing, Design & Graphics |
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| Works with | Nothing in particular | Nothing in particular |
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| Founded | Not listed | Not listed |
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| Reader rating | No reviews yet | No reviews yet |
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| Live deals | None right now | None right now |
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Shaded rows are where the two answers disagree and both listings have answered. A row where one side has not stated a fact is left plain, because silence is not a difference.
Our note
The honest comparison is not against Photoshop feature by feature but against what you actually do, and for retouching and compositing most people never reach the edge of it. Photopea is worth a look first if you want something Photoshop-shaped in a browser tab.