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Capture One's perpetual licence is $349 once, or $18 a month if you would rather subscribe. ON1 Photo RAW covers the same idea, raw processing plus layers and retouching in one app you own outright, for $99.99, and the company discounts that further often enough that paying full price is unusual. The trade is depth: Capture One's tethering and per-camera colour profiles against ON1's lower price and thinner catalogue tools.
RAW editing and tethering for professionals
Raw editing and layers, bought once
Capture One | ON1 Photo RAW | |
|---|---|---|
| Starting price (they differ) | From $18 | From $99.99 |
| Pricing model (they differ) | Paid subscription | One-time purchase |
| Free tier | No | No |
| Billing (they differ) | Monthly or annual | One-time purchase |
| Free trial | Not stated | Not stated |
| API | Not stated | Not stated |
RAW editing and tethering for professionals
Capture One is what photographers move to when Lightroom's colour handling and tethered shooting stop being good enough. The colour editor works on ranges you define rather than on fixed sliders, and tethering to a camera is the feature its users will not give up. It is a professional tool with a professional learning curve, and it still sells a licence you buy once.
Our note
The perpetual licence is the reason to look here rather than at the subscription-only alternatives, and it is worth doing the arithmetic: $349 is about nineteen months of Pro. Buy the subscription if you want the newest camera support the week it ships, and the licence if you do not.
Only on this side
Raw editing and layers, bought once
ON1 Photo RAW covers browsing, raw processing, retouching, layers and masks in one application, which is the pitch: the two Adobe programs most photographers rent, without renting them. It runs on your own machine and keeps working when you stop paying, because there is nothing to stop paying. The catalogue handling is the part that divides people.
Capture One earns its price with professional depth: tethered shooting that feeds a laptop live, colour edited by range rather than fixed sliders, and profiles built for 550 individual camera bodies. That is worth $349 to somebody shooting client work where those specifics matter.
ON1 Photo RAW is the cheaper way to stop renting an editor, covering two computers for well under a third of Capture One's licence price, and it is discounted from that list price more often than not. It trades some of Capture One's polish for the saving, and anybody whose workflow leans on other people's Lightroom catalogues will lose time moving across.
Ratings are the average of reviews readers left. The facts are stated by each tool’s own listing and are not verified by CloutStack. How we make money.
| Data export | Not stated | Not stated |
|---|
| Their cut | None | None |
|---|
| Runs on (they differ) | macOS, Windows, iOS | macOS, Windows |
|---|
| Covers | Photo Editing, Design & Graphics | Photo Editing |
|---|
| Works with | Nothing in particular | Nothing in particular |
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| Founded | Not listed | Not listed |
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| Reader rating | No reviews yet | No reviews yet |
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| Live deals | None right now | None right now |
|---|
Shaded rows are where the two answers disagree and both listings have answered. A row where one side has not stated a fact is left plain, because silence is not a difference.
Our note
Now that Affinity is free, the case for paying anything at all for photo editing has narrowed to catalog handling and raw processing, which is exactly where ON1 is stronger. Try both before spending the money.